#: locale=en
## Tour
### Description
tour.description = Evoke Contemporary - Virtual Tour
### Title
tour.name = Lee Price: Repose
## Skin
### Button
Button_062AF830_1140_E215_418D_D2FC11B12C47.label = Visit our website
Button_818A32A2_906A_4D2C_41CB_E9441C534DBF.label = LEE PRICE
Button_818A32A2_906A_4D2C_41CB_E9441C534DBF_mobile.label = LEE PRICE
Button_82986F77_9076_D314_41E1_0476282E69FC.label = CHRISTOPHER BENSON
Button_82986F77_9076_D314_41E1_0476282E69FC_mobile.label = CHRISTOPHER BENSON
### Dropdown
DropDown_0561BA16_3AA3_A1D2_41C7_FDA0B6E9EE29.label = RECEPTION
DropDown_0561BA16_3AA3_A1D2_41C7_FDA0B6E9EE29_mobile.label = RECEPTION
DropDown_05783A1F_3AA3_A1D2_41A6_E88282E5373B.label = FEATURED EXHIBITIONS
DropDown_05783A1F_3AA3_A1D2_41A6_E88282E5373B_mobile.label = FEATURED EXHIBITIONS
DropDown_05784A29_3AA3_A1FE_41B1_E2305F2F53BE.label = RESTAURANTS
DropDown_05784A29_3AA3_A1FE_41B1_E2305F2F53BE_mobile.label = RESTAURANTS
DropDown_05789A1B_3AA3_A1D2_41CC_002739F0C312.label = GALLERIES
DropDown_05789A1B_3AA3_A1D2_41CC_002739F0C312_mobile.label = GALLERIES
DropDown_057B3A27_3AA3_A1F2_41C0_6BB995D79A09.label = SWIMMING POOL
DropDown_057B3A27_3AA3_A1F2_41C0_6BB995D79A09_mobile.label = SWIMMING POOL
### Multiline Text
HTMLText_062AD830_1140_E215_41B0_321699661E7F.html = Welcome to EVOKE Contemporary’s Virtual Visit
This immersive and interactive experience allows you to stay connected and provides an escape with art - anywhere, on any device, anytime. Transport yourself to EVOKE Contemporary to view latest works by our artists.
* Virtual Visit will be available for all of our upcoming exhibitions.
How to navigate:
This info window can always be opened by clicking the (i) icon below/right.
The tour will automatically move through the galleries. Take control of the tour at anytime by left clicking (swipe in mobile) and moving your mouse around the space.
Click on any artwork to obtain relevant information and an inquiry link.
To move between galleries, click on pulsating arrows in the pathways.
Music can be adjusted on your device or at the menu icon located at top/right.
We would love receive feedback from you on your experience and thoughts on our new platform via email or call us at 505.995.9902. Although the gallery is currently not open to visitors, we are available 10am — 5pm daily and eager to assist you.
Please share Virtual Visit with your friends and thank you for dropping by!
___
LOREM IPSUM
DOLOR SIT AMET
___
LOREM IPSUM
DOLOR SIT AMET
JOHN DOE
LICENSED REAL ESTATE SALESPERSON
Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com
Mauris aliquet neque quis libero consequat vestibulum. Donec lacinia consequat dolor viverra sagittis. Praesent consequat porttitor risus, eu condimentum nunc. Proin et velit ac sapien luctus efficitur egestas ac augue. Nunc dictum, augue eget eleifend interdum, quam libero imperdiet lectus, vel scelerisque turpis lectus vel ligula. Duis a porta sem. Maecenas sollicitudin nunc id risus fringilla, a pharetra orci iaculis. Aliquam turpis ligula, tincidunt sit amet consequat ac, imperdiet non dolor.
JOHN DOE
LICENSED REAL ESTATE SALESPERSON
Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com
Mauris aliquet neque quis libero consequat vestibulum. Donec lacinia consequat dolor viverra sagittis. Praesent consequat porttitor risus, eu condimentum nunc. Proin et velit ac sapien luctus efficitur egestas ac augue. Nunc dictum, augue eget eleifend interdum, quam libero imperdiet lectus, vel scelerisque turpis lectus vel ligula. Duis a porta sem. Maecenas sollicitudin nunc id risus fringilla, a pharetra orci iaculis. Aliquam turpis ligula, tincidunt sit amet consequat ac, imperdiet non dolor.
Welcome to EVOKE Contemporary’s Virtual Visit
This immersive and interactive experience allows you to stay connected and provides an escape with art - anywhere, on any device, anytime. Transport yourself to EVOKE Contemporary to view latest works by our artists.
* Virtual Visit will be available for all of our upcoming exhibitions.
How to navigate:
This info window can always be opened by clicking the (i) icon below/right.
The tour will automatically move through the galleries. Take control of the tour at anytime by left clicking (swipe in mobile) and moving your mouse around the space.
Click on any artwork to obtain relevant information and an inquiry link.
To move between galleries, click on pulsating arrows in the pathways.
Music can be adjusted on your device or at the menu icon located at top/right.
We would love receive feedback from you on your experience and thoughts on our new platform via email or call us at 505.995.9902. Although the gallery is currently not open to visitors, we are available 10am — 5pm daily and eager to assist you.
Please share Virtual Visit with your friends and thank you for dropping by!
Christopher Benson
I make pictures of a lot of different things. Sometimes I paint seascapes, sometimes landscapes or street scenes. Occasionally, I set figures in interiors or other architectural spaces. Some of these pictures are taken from things I saw directly. Others are conjured from memory, or from an accumulated compendium of internalized views.
But whether literally representational or imagined, I mean for all of my pictures to invite the viewer in with a sense of the familiar, while yet distilling some essential character of the subject that may feel surprising or even a bit odd. I find that I can achieve this by stripping out a great deal of extraneous detail in order to get to the boiled-down, or even abstract heart of a picture.
Beyond all those formal concerns and matters of content, what interests me most is paint itself: how it lies, stands or races across the surface of the canvas. I've said to a couple of friends recently that "I want to make de Koonings and hide them inside of Homers". Not that I mean to imitate either of those artists — I just like to conceal the physically powerful wolf of abstraction within the sheep's clothing of a more seemingly conventional realism. You feel that you know it, or have seen it before a thousand times. But then you spend some time with it and realize that you don't know it at all.
A kind of deliberate brusqueness is the crucial agent of my mark-making, which is intentionally raw and roughly drawn. I have lost any interest in carefully rendering the minutia of fine detail, if indeed I ever had it to begin with. Large descriptive shapes, made with a loaded brush and moved by the whole arm, are what I'm after. The sense of atmosphere and emotion that those big gestures can convey is what I live for.
— Christopher Benson
Christopher Benson
I make pictures of a lot of different things. Sometimes I paint seascapes, sometimes landscapes or street scenes. Occasionally, I set figures in interiors or other architectural spaces. Some of these pictures are taken from things I saw directly. Others are conjured from memory, or from an accumulated compendium of internalized views.
But whether literally representational or imagined, I mean for all of my pictures to invite the viewer in with a sense of the familiar, while yet distilling some essential character of the subject that may feel surprising or even a bit odd. I find that I can achieve this by stripping out a great deal of extraneous detail in order to get to the boiled-down, or even abstract heart of a picture.
Beyond all those formal concerns and matters of content, what interests me most is paint itself: how it lies, stands or races across the surface of the canvas. I've said to a couple of friends recently that "I want to make de Koonings and hide them inside of Homers". Not that I mean to imitate either of those artists — I just like to conceal the physically powerful wolf of abstraction within the sheep's clothing of a more seemingly conventional realism. You feel that you know it, or have seen it before a thousand times. But then you spend some time with it and realize that you don't know it at all.
A kind of deliberate brusqueness is the crucial agent of my mark-making, which is intentionally raw and roughly drawn. I have lost any interest in carefully rendering the minutia of fine detail, if indeed I ever had it to begin with. Large descriptive shapes, made with a loaded brush and moved by the whole arm, are what I'm after. The sense of atmosphere and emotion that those big gestures can convey is what I live for.
— Christopher Benson
Lee Price
American Contemporary Figurative Realist painter Lee Price focuses on the subject of food with the solitary female figure in private, intimate settings — figures that are always lost in what might appear to be the bliss of consumption in highly unusual environments and portrayed from a unique aerial point of view. This odd perspective creates an illusion or feeling of an out of body experience as if the subject is looking down at herself. While clearly demonstrating her amazing technical skills, the circumstance of consistently depicting female figures in the act of compulsive behavior tends to hint at an underlying message.
Lee Price grew up in a small town in upstate New York, her mother was a high school art teacher, and her father left home when she and her two sisters were very young. As a result, Lee was raised in a household of women. She suspects that this may have had some impact on her work. As a Graduate of Moore College of Art of Philadelphia, Lee Price proved her amazing talent for painting. Early in her career Lee established a pattern of painting intimate moments of a woman’s life with a very realistic tone. Continuing her artistic development, she studied with the Bo Bartlett Art Students League, and had several years of private studies with Alyssa Monks through the New York Academy of Art. She relocated to California for eleven years, but has since returned to her home state, where she resides to this date.
Lee Price
American Contemporary Figurative Realist painter Lee Price focuses on the subject of food with the solitary female figure in private, intimate settings — figures that are always lost in what might appear to be the bliss of consumption in highly unusual environments and portrayed from a unique aerial point of view. This odd perspective creates an illusion or feeling of an out of body experience as if the subject is looking down at herself. While clearly demonstrating her amazing technical skills, the circumstance of consistently depicting female figures in the act of compulsive behavior tends to hint at an underlying message.
Lee Price grew up in a small town in upstate New York, her mother was a high school art teacher, and her father left home when she and her two sisters were very young. As a result, Lee was raised in a household of women. She suspects that this may have had some impact on her work. As a Graduate of Moore College of Art of Philadelphia, Lee Price proved her amazing talent for painting. Early in her career Lee established a pattern of painting intimate moments of a woman’s life with a very realistic tone. Continuing her artistic development, she studied with the Bo Bartlett Art Students League, and had several years of private studies with Alyssa Monks through the New York Academy of Art. She relocated to California for eleven years, but has since returned to her home state, where she resides to this date.
Christopher Benson
McCanna, charcoal, 7.75" x 10"
Christopher Benson
Baked Alaska, charcoal, 7.75" x 7.75"
Christopher Benson
Seated Figure with iMac, oil on linen, 40" x 30"
Christopher Benson
The Basin, oil on linen, 54" x 54"
Christopher Benson
Road to Nowhere, oil on linen, 60" x 40"
Jeremy Mann
Portrait Study 33, oil on panel, 6" x 6"
Javier Marín
Maqueta reflejo VII
bronze and resin, 28" x 10.25" x 52"
base, 32.5" x 19.5" x 31.5"
Kristine Poole
Reflection: Questions at a Crossroad
fired clay, 39" x 16" x 16"
Jeremy Mann
Portrait Study 27, oil on panel, 6" x 6"
Kristine Poole
Q
bronze, ed of 16, 5.5" x 7" x 3"
Jeremy Mann
Portrait Study 32, oil on panel, 6" x 6"
Kristine Poole
Quintessence
bronze, ed of 11, 12" x 12" x 4"
Louisa McElwain
Great is Thy Faithfulness, oil on canvas, 44" x 64"
Kent Williams
She Wore Lemon, oil on canvas, 36" x 36"
Louisa McElwain
Jubilate, oil on canvas, 44" x 44"
Daniel Sprick
Julia, oil on panel, 24" x 26"
Kent Williams
Hike thru Bailey Canyon
oil on claybord, 36" x 36"
Kent Williams
Convergence Yumi, oil on linen, 50" x 50"
Louisa McElwain with Hannah Shook
Small Tractors,oil on canvas, 20" x 24"
Christopher Benson
Igraine's View, oil on panel, 36 x 36
Click for inquiry
Christopher Benson
Baked Alaska, oil on panel, 30" x 30"
Jeremy Mann
NYC42, oil on panel, 48" x 48"
Kristine Poole
In My Dreams I Can Fly
fired clay, 38" x 17" x 21"
Jeremy Mann
Composition 180, oil on panel, 36" x 36"
Christopher Benson
Remembered Waterfront, oil on panel, 18" x 24"
Jeremy Mann
Composition 178, oil on panel, 36" x 60"
Kristine Poole
Mythmaker, fired clay, life-sized, 33" x 21" x 31"
Christopher Benson
Studio Window at Camino Alire, oil on panel, 30" x 30"
Jeremy Mann
The Listless Vernal Winter
oil and enamel on panel, 48" x 31"
Christopher Benson
Igraine's View, oil on panel, 36" x 36"
Christopher Benson
Baked Alaska, oil on panel, 30" x 30"
Christopher Benson
Anti Social Media, oil on linen, 64" x 44"
Christopher Benson
Road to Nowhere, oil on linen, 60" x 40"
Christopher Benson
Studio Window at Camino Alire, oil on panel, 30" x 30"
Christopher Benson
The Basin, oil on linen, 54" x 54"
Cristopher Benson
Remembered Waterfront, oil on panel, 18" x 24"
Christopher Benson
The Falcon, oil on linen, 54" x 54"
Christopher Benson
Seated Figure with iMac, oil on linen, 40" x 30"
Christopher Benson
Big Sky, oil on linen, 12" x 14"
Christopher Benson
Floodplain, oil on panel, 11" x 14"
Lee Price
Tea Cup II, oil on linen, 30" x 70"
SOLD
Lee Price
Self Portrait with Parfait in Floral Room
oil on linen, 45" x 31"
Lee Price
Surfacing, IV, oil on linen, 64" x 27.7"
Lee Price
Flowers
oil on linen, 29" x 65"
Kent Williams
Asleep, mixed media on paper, 20" x 24"
Lee Price
Surfacing, II, oil on linen, 64" x 27.7"
Lee Price
Ali's meal, oil on linen, 44" x 33"
Lee Price
Empty Plates, oil on linen, 38" x 72"
Lee Price
Surfacing, V, oil on linen, 64" x 27.7"
SOLD
Gugger Petter
Young Woman #1
newspaper and mixed media, 19.5" x 18"
Lee Price
Surfacing, III, oil on linen, 64" x 27.7"
Lee Price
Tea Cup II, oil on linen, 30" x 70"
SOLD
Gugger Petter
Young Woman #2
newspaper and mixed media, 19.5" x 18"